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Beyond
recycling furniture,
conservation was
a guiding principle – a goal complicated by the
various improvements” the house had endured over
a century. Although photographs on file at the town’s
historical society show exactly what the cottage looked
like when it was built, architect Peter Pennoyer, who
frequently collaborates with Jayne, thought a complete
restoration would be impractical. “This isn’t
Colonial Williamsburg,” he says. “Part of
the great character of this place is its anonymous accretions.
On the other hand, jalousie windows are never nice, so
those had to go.” |
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In the rebuilt and slightly enlarged kitchen, existing
appliances were retained and old cabinets copied. Only
in this room was the headboard painted. The ceiling fixtures
are from Urban Archeology. |
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What should stay was decided case by case.
Giving the wide-plank floorboards a fresh polish was an
easy decision, but what to do with the natural bead board
paneling? Should it be painted white to lighten the interior?
“We thought about it and decided to retain the paneling
as it was,” says Jayne. “The bright colors
associated with summer really pop against it. White walls
tend to bleach out color, and the idea of kids living
in all-white rooms is kind of horrifying.” The kitchen
was completely rebuilt and somewhat expanded, but even
here, existing cabinets were copied, and old-fashioned
linoleum was used for the countertops. The appliances
were rearranged but not replaced. |
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continued
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